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    <fireside:genDate>Sun, 10 May 2026 08:32:35 -0500</fireside:genDate>
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    <title>The Akerman Year - Episodes Tagged with “Documentary”</title>
    <link>https://akermanyear.fireside.fm/tags/documentary</link>
    <pubDate>Mon, 07 Nov 2022 14:00:00 -0500</pubDate>
    <description>Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects. 
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    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>A monthly podcast miniseries on the work of filmmaker Chantal Akerman, hosted by Kate Rennebohm and Simon Howell.</itunes:subtitle>
    <itunes:author>Simon Howell and Kate Rennebohm</itunes:author>
    <itunes:summary>Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects. 
</itunes:summary>
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    <itunes:explicit>no</itunes:explicit>
    <itunes:owner>
      <itunes:name>Simon Howell and Kate Rennebohm</itunes:name>
      <itunes:email>suckerblues@gmail.com</itunes:email>
    </itunes:owner>
<itunes:category text="TV &amp; Film"/>
<itunes:category text="Society &amp; Culture">
  <itunes:category text="Documentary"/>
</itunes:category>
<itunes:category text="Arts">
  <itunes:category text="Visual Arts"/>
</itunes:category>
<item>
  <title>Part 9: Akerman vs. America</title>
  <link>https://akermanyear.fireside.fm/part-9-akerman-vs-america</link>
  <guid isPermaLink="false">01a04add-5b39-400e-ae3c-242a960c61ce</guid>
  <pubDate>Mon, 07 Nov 2022 14:00:00 -0500</pubDate>
  <author>Simon Howell and Kate Rennebohm</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/626f89ab-d655-45ac-9e37-97f52f87c7ce/01a04add-5b39-400e-ae3c-242a960c61ce.mp3" length="82476291" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Simon Howell and Kate Rennebohm</itunes:author>
  <itunes:subtitle>Kate and Simon journey solo through two of Akerman's thorniest documentaries, Sud and De L'autre Coté, necessarily wrangling with questions of racism, authorial intent, and documentary style along the way.</itunes:subtitle>
  <itunes:duration>1:39:05</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/6/626f89ab-d655-45ac-9e37-97f52f87c7ce/episodes/0/01a04add-5b39-400e-ae3c-242a960c61ce/cover.jpg?v=1"/>
  <description>&lt;p&gt;Riding guest-free for a change, Kate and Simon tackle three films (a short and two features) that touch on issues of racism, injustice, and murder: the Amnesty International-prompted &lt;em&gt;Pour Febe Elisabeth Velasquez, El Salvador&lt;/em&gt;, 1999's &lt;em&gt;Sud&lt;/em&gt; and 2002's &lt;em&gt;De L'Autre Coté&lt;/em&gt;. We also dive a little more than usual into criticisms of Akerman's documentary work/style and consider how the intervening decades have treated Akerman's portraits of American racism and violence.&lt;/p&gt;

&lt;p&gt;If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: &lt;a href="https://paypal.me/kateandsimonpod" target="_blank" rel="nofollow noopener"&gt;https://paypal.me/kateandsimonpod&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: &lt;a href="https://sundarsubramanian.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://sundarsubramanian.bandcamp.com/&lt;/a&gt; &lt;/p&gt;
</description>
  <itunes:keywords>chantal akerman, podcast, documentary</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Riding guest-free for a change, Kate and Simon tackle three films (a short and two features) that touch on issues of racism, injustice, and murder: the Amnesty International-prompted <em>Pour Febe Elisabeth Velasquez, El Salvador</em>, 1999&#39;s <em>Sud</em> and 2002&#39;s <em>De L&#39;Autre Coté</em>. We also dive a little more than usual into criticisms of Akerman&#39;s documentary work/style and consider how the intervening decades have treated Akerman&#39;s portraits of American racism and violence.</p>

<p>If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: <a href="https://paypal.me/kateandsimonpod" rel="nofollow">https://paypal.me/kateandsimonpod</a></p>

<p>Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: <a href="https://sundarsubramanian.bandcamp.com/" rel="nofollow">https://sundarsubramanian.bandcamp.com/</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Riding guest-free for a change, Kate and Simon tackle three films (a short and two features) that touch on issues of racism, injustice, and murder: the Amnesty International-prompted <em>Pour Febe Elisabeth Velasquez, El Salvador</em>, 1999&#39;s <em>Sud</em> and 2002&#39;s <em>De L&#39;Autre Coté</em>. We also dive a little more than usual into criticisms of Akerman&#39;s documentary work/style and consider how the intervening decades have treated Akerman&#39;s portraits of American racism and violence.</p>

<p>If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: <a href="https://paypal.me/kateandsimonpod" rel="nofollow">https://paypal.me/kateandsimonpod</a></p>

<p>Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: <a href="https://sundarsubramanian.bandcamp.com/" rel="nofollow">https://sundarsubramanian.bandcamp.com/</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Part 8: See and don't see (ft. Alisa Lebow)</title>
  <link>https://akermanyear.fireside.fm/part-8-see-and-dont-see</link>
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  <pubDate>Sat, 06 Aug 2022 10:15:00 -0400</pubDate>
  <author>Simon Howell and Kate Rennebohm</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/626f89ab-d655-45ac-9e37-97f52f87c7ce/4912880c-eab4-4fd0-aa02-59c34900cc16.mp3" length="90842894" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Simon Howell and Kate Rennebohm</itunes:author>
  <itunes:subtitle>We tackle some of Akerman's most tangled texts with a deep dive into some of her works that touch on themes of Jewish identity, the diaspora, Israel, and a whole lot more. Special guest Alisa Lebow joins us as we talk HISTOIRES D'AMERIQUE, DIS-MOI and 2006's LA-BAS.</itunes:subtitle>
  <itunes:duration>2:29:58</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>&lt;p&gt;With the help of scholar and filmmaker Alisa Lebow, who arrives armed with memories of meeting and speaking with Akerman, we tackle some of the Akerman work most inherently tied up with questions and challenges of Jewish identity, history and politics. These films are: 1980's medium-length TV doc &lt;em&gt;Dis-Moi&lt;/em&gt; (&lt;em&gt;Tell Me&lt;/em&gt;); 1986's tragicomic examination of Jewish life in New York, &lt;em&gt;Histoires d'Amerique&lt;/em&gt;, and 2006's experimental and bracing &lt;em&gt;La-Bas&lt;/em&gt; (&lt;em&gt;Down There&lt;/em&gt;).&lt;/p&gt;

&lt;p&gt;Check out Alisa's Filming Revolution here: &lt;a href="https://www.filmingrevolution.org/" target="_blank" rel="nofollow noopener"&gt;https://www.filmingrevolution.org/&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Music:&lt;br&gt;
Do Make Say Think "Goodbye enemy Airship"&lt;br&gt;
Mary 'Queenie' Lyons "See and Don't See"&lt;/p&gt;

&lt;p&gt;If youlike the show or what we do generally, consider throwing us a few bucks to help cover our costs: &lt;a href="https://paypal.me/kateandsimonpod" target="_blank" rel="nofollow noopener"&gt;https://paypal.me/kateandsimonpod&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: &lt;a href="https://sundarsubramanian.bandcamp.com/" target="_blank" rel="nofollow noopener"&gt;https://sundarsubramanian.bandcamp.com/&lt;/a&gt; &lt;/p&gt;
</description>
  <itunes:keywords>chantal akerman, podcast</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>With the help of scholar and filmmaker Alisa Lebow, who arrives armed with memories of meeting and speaking with Akerman, we tackle some of the Akerman work most inherently tied up with questions and challenges of Jewish identity, history and politics. These films are: 1980&#39;s medium-length TV doc <em>Dis-Moi</em> (<em>Tell Me</em>); 1986&#39;s tragicomic examination of Jewish life in New York, <em>Histoires d&#39;Amerique</em>, and 2006&#39;s experimental and bracing <em>La-Bas</em> (<em>Down There</em>).</p>

<p>Check out Alisa&#39;s Filming Revolution here: <a href="https://www.filmingrevolution.org/" rel="nofollow">https://www.filmingrevolution.org/</a></p>

<p>Music:<br>
Do Make Say Think &quot;Goodbye enemy Airship&quot;<br>
Mary &#39;Queenie&#39; Lyons &quot;See and Don&#39;t See&quot;</p>

<p>If youlike the show or what we do generally, consider throwing us a few bucks to help cover our costs: <a href="https://paypal.me/kateandsimonpod" rel="nofollow">https://paypal.me/kateandsimonpod</a></p>

<p>Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: <a href="https://sundarsubramanian.bandcamp.com/" rel="nofollow">https://sundarsubramanian.bandcamp.com/</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>With the help of scholar and filmmaker Alisa Lebow, who arrives armed with memories of meeting and speaking with Akerman, we tackle some of the Akerman work most inherently tied up with questions and challenges of Jewish identity, history and politics. These films are: 1980&#39;s medium-length TV doc <em>Dis-Moi</em> (<em>Tell Me</em>); 1986&#39;s tragicomic examination of Jewish life in New York, <em>Histoires d&#39;Amerique</em>, and 2006&#39;s experimental and bracing <em>La-Bas</em> (<em>Down There</em>).</p>

<p>Check out Alisa&#39;s Filming Revolution here: <a href="https://www.filmingrevolution.org/" rel="nofollow">https://www.filmingrevolution.org/</a></p>

<p>Music:<br>
Do Make Say Think &quot;Goodbye enemy Airship&quot;<br>
Mary &#39;Queenie&#39; Lyons &quot;See and Don&#39;t See&quot;</p>

<p>If youlike the show or what we do generally, consider throwing us a few bucks to help cover our costs: <a href="https://paypal.me/kateandsimonpod" rel="nofollow">https://paypal.me/kateandsimonpod</a></p>

<p>Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: <a href="https://sundarsubramanian.bandcamp.com/" rel="nofollow">https://sundarsubramanian.bandcamp.com/</a></p>]]>
  </itunes:summary>
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